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The quartet swings and seems to enjoy every minute of the show. The music, of course, features more of Montgomery's great stuff with personable glimpses at each of the artists. A chord progression is an order in which you play the chords, and that order is related to the scale. If you want some extra info about it, here’s some guidance about the three most famous jazz progressions for guitar players. Charlie Parker 1940-1943 The Apprenticeship. Bossa nova plays around with jazz chord progressions mostly. If you click on the Coleman Hawkins image and then scroll down to albums, youll see a tab for discography. This session is quite different from the other two in that it includes commentary from club owner Ronnie Scott, who explains the career and music of Wes Montgomery as if he were giving a lecture. Playing bossa nova on guitar 103: chord progressions. The final five numbers on the program were filmed May 7 in England with pianist Stan Tracey, bassist Rick Laird, and drummer Jackie Dougan. "Here's that Rainy Day simmers comfortably as a bossa nova, and "Boy Next Door rambles moderately as a beautiful ballad, while the other tunes drive with plenty of heat. Dressed in dark suits with skinny 1960s neckties, his quartet interprets five songs while exhibiting an inner fire and drive. With pianist Harold Mabern, bassist Arthur Harper and drummer Jimmy Lovelace, the guitarist moves faster with a steely drive. The April 4 session in Belgium is much more serious. They groove comfortably and provide a genuine look at how happy working musicians can be when they're doing what they love. 9 25 4 BOSSA NOVA BABY Elvis Presley 10 7 10 I CANT STAY MAD AT YOU Skeeter Davis 11 16. Colette enjoys singing at restaurants, lounges, weddings and private parties and is known for learning a. The first three pieces are from an Apsession in Holland with pianist Pim Jacobs, bassist Ruud Jacobs and drummer Han Bennink. Colette performs an eclectic variety of favorites from Cabaret Shows, Broadway tunes, Jazz Standards, Pop Classics from the 60s, 70s and 80s to Mozart Arias with well-known San Diego musicians pianists and acoustic guitarists alike. The thumb, the harmonic adventure, the natural sense of swing, and the ease with which he gets along with the other players, several of whom he had not worked with before, show why he was such an influential guitarist and a memorable musical voice and jazz soloist.
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As Pat Metheny mentions in his extensive liner notes, Montgomery is captured on film while setting up "The End of a Love Affair in rehearsal with his Dutch quartet, demonstrating his fluency in the "traditional nomenclature of harmony and relating his thoughts to the other musicians eloquently.Ĭlose-ups of Montgomery reveal many of the secrets to his beautiful sound.
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Filmed in black and white for television, the images are clear and crisp, sonically re-mastered for DVD, and provide an excellent window into the persona and musicianship of the legendary guitarist. These three sessions, produced for Reelin' In The Years Productions in Europe, feature guitarist Wes Montgomery with three different piano trios.